I’m sure many of the curators would appreciate the sentiments of this label! Basics of touring an exhibition, The J Paul Getty Museum 3d Design Graphic Design Museum Art Gallery Museum Displays Space Museum Wayfinding Signage Museum Exhibition Environmental Design Design Museum Museum Exhibition Design Exhibition Display Design Museum Signage Design Brochure Design Hall … Groups with accessibility issues – provide large print text on portable information sheets for elderly, visually impaired or less mobile audiences. They help us to avoid the glitches that can occur when objects, labels and design come together for the first time, during the installation of the galleries. Depending on personal beliefs, this particular label is one that can have a big impact. I have written a previous post on the subject, How to Label Artwork in an Exhibition. Highlight each individual object with a label that includes the bare facts. 3 Label Script Guidelines Steps in the Label Script Process 1. Of course museum labels should not be designy, over-produced, and self-conscious, as if the designer is competing with the art and the museum architecture. Childproof and wheelchair friendly. Download M&G NSW Resource - Exhibition Labelling (printer friendly version), Complete Guide to Adult Audience Interpretive Materials: Gallery Texts and Graphics. Museums & Galleries of NSW acknowledges the Gadigal people of the Eora Nation and all the other Traditional Custodians of the lands on which we live and work. 200+ labels per year and shrinking attendance. Didactic technology should not dominate over the artworks they reference. Distilling large amounts of detailed information or research about an object into a succinct, relevant, interesting and widely-accessible label can be a complicated, tricky and at times frustrating task. Large sculpture may require that you place a label on the nearest wall or floor. Staff are still contactable via email and mobile.Â. This group is concerned with the way exhibits are labelled in museums, galleries and exhibitions. For example, Arial may work well for 6-year olds, while Garamond may better suit 45-year olds at a conference exhibition. Here is an example: Vincent van Gogh The Starry Night, 1889 Oil on canvas 73.7 cm × 92.1 cm (29 in × 36¼ in) Below are some options for professionally labeling your artworks in an exhibition setting. Frances Young Tang Teaching Museum 3. In his classic book Interpreting our Heritage, first published in 1957, Freeman Tilden defines interpretation as ‘an educational activity which aims to reveal meanings and relationships’. Varied language groups – Dual labels which include basic information in two languages can open access to audiences identified as a strong group for an exhibition. One suggestion I would like to make is that – where possible – display cases also have a card for ‘bibliography’ or further references if a visitor would like to investigate further or find out more. Place labels between eye-level at 150cm to a lower height of 1m and within close proximity to the artwork they reference. A museum label, also referred to as caption or tombstone is a label describing an object exhibited in a museum or one introducing a room or area. Tynan used Bitter, a free Google font. A good title should clearly introduce the topic and content of the exhibition, but at the same time it should be sufficiently distinctive to spark potential visitors’ curiosity. label. Examples of Artwork Labels | The Practical Art World. Labels with a … Museum goers will be interested to know, for example, if an anchor in your collection was recovered from a shipwreck in the Marshall Islands, but do not need to know the name of the ship’s captain. Studies suggest that certain fonts such as Helvetica Regular, Verdana and Arial in a size of least 18 points are the easiest for the eye to comprehend for text based information. Find inspiration in our incredible range of exclusive gifts, jewellery, books, fashion, prints & posters and much more... © Victoria and Albert Museum, London, 2020, We use cookies to enhance your experience on V&A websites. For large scale exhibitions with an overarching narrative a label hierarchy is useful to break up information into digestible sections. Had about 30 good examples from northern Australia, but little from the South.• Museums & Galleries of NSW helps small-medium museums, galleries and Aboriginal cultural centres create exciting experiences for visitors and, through this, thriving local NSW communities. Meanwhile an image of a more unique museum label, like the Cole House label, shows readers that museums can and do go beyond the norm of a square/rectangular, black-and-white printed text label. We pay respect to them as First Nations people with continuing connection to land, place, waters and community. Minneapolis Institute of Arts 5. This helps us to assess how well the labels’ ordering of information works: for example, if any technical terminology is clearly explained before it is referred to in a later nearby label. There are numerous methods that that can be used to provide additional layers of interpretation in galleries. With over a year until the Europe Galleries re-open, it may come as surprise to learn that we are already nearing the final stages of editing and confirming the text that will appear in the galleries. Double-sided Velcro tape will support heavier labels however this can mark walls when removed. Lucy Trench (Lead Educator for the Europe Galleries) describes succinct, focused in-situ text as ‘the bedrock of interpretation’. Examples of Big Ideas Farming has changed over the years. Introductory panel and individual artwork labels can be seen in this view. The Perlman Teaching Museum 2. Metalwork, Ceramics etc.) The curator overseeing the gallery that the display is in (the Gallery Parent) then collates, checks and edits the text for all of the displays in their gallery. These sessions have proven to be really useful. The truth is, there is no single standard format, though most labels include the same key elements. When incorporating these forms of technology consider the impact of sound and light bleed. Place object labels to the right if at all possible. However, the fundamental form of interpretation that visitors expect to be present within galleries is in-situ text. Thematic Labels: Use artifact labels to present specific themes. Research suggests that audiences will turn left unless directed to do otherwise. An example might look like this: An introductory panel to the exhibition – themed labels for each room – individual artwork labels. Jun 28, 2017 - Explore Anne Hromadka: Curator & Consu's board "Museum Labels (Design + Interactive)" on Pinterest. Place these at centralised seating points with increased lighting which reduces the need to stand for long periods of time in front of artworks. These may be single use as vinyl stickers or made more durable for long term use as printed photo paper with laminate mounted on boards such as Forex. Each object label will provide at a minimum what is known as ‘tomb-stone’ information – short factual information about the object and its creation. Choose one of several sizes of labels; the label should be able to fit in the outer box in which the specimen is housed. What is a Label? Personalized museum and show room placards for your gallery displays. The use of labels in museums and galleries is a widely debated topic and there are numerous publications, articles and websites that propose and discuss the ‘best methods’ to use when writing labels. Labels for exhibits - about artists and/or paintings - in an exhibition are necessary. Subscribe to our email newsletter, to keep up to date on new jobs, industry updates, funding opportunities and more. Interactive prompts such as QR codes may help in making a connection between the immediate exhibition and online content, however these should not take precedence over other standard forms of label information. There is currently a hive of activity as we finalise the label text for each object and display. Read our, Creating the new Europe 1600–1815 Galleries, http://www.vam.ac.uk/content/articles/v/v-and-a-podcast-europe-galleries/, IHR Wohl Library Exhibition Competition | History Lab Plus, The importance of labelling – jaquelinacht, The materials and techniques used to make it. It includes the text provided at the entrance to the suite of galleries and to each individual gallery, where we establish the overarching themes presented. Metropolitan Museum of art. Alternatively extra information about one particular object may provide useful further context for the rest of the display. Labels: Layout Label example … to ensure that all the information is correct, clear and reflects any recent discoveries they may have made when researching the objects. Keep in mind and ensure that labels are placed on the side of the artwork which will be approached first. The space available in each display case determines the number of labels that can be included and how much description they receive. The display’s Subject Parent, the Europe Galleries Concept Team, Educators and Assistant Editor all attend so that any changes can be discussed there and then. Text example: Aboriginal Art• Object selection dictates interpretive focus not vice versa. Image: Sharpshooting, courtesy Nautilus Art Centre, Port Lincoln. Select information that provides contextual significance about the object and its place in the exhibition. The Milwaukee Art Museum always uses the Weiss Antiqua font. Visual cues or symbols help connect sub-themes and provide quick identification of other sources of information such as for audio guides or children’s labels. Your label will be read by people without any prior information and by those who are well versed on the subject, so choose language that is clear, concise, integral and avoids jargon. Over at Hyperallergic this week, I had an essay come out that was about four months in the making. We need to bear in mind constantly that it is impossible to predict from which direction visitors will approach a display and which labels they will choose to read or not read. For example, ask students to select artifacts and write labels to show how different cultures fulfilled similar needs, such as clothing, eating or furnishing their homes. Discover everything regarding the Nederlander Marine Corps in the Museum Label Template in Rotterdam. The use of labels in museums and galleries is a widely debated topic and there are numerous publications, articles and websites that propose and discuss the ‘best methods’ to use when writing labels. Consistency of font, text size, spacing and type assists audiences in digesting information. Pay attention to the quality of translation and use professional interpreters where possible. Text for exhibit labels should be friendly, but still speak with authority. An example might look like this: An introductory panel to the exhibition – themed labels for each room – individual artwork labels. I am an Assistant Curator working on the development of the new Europe 1600-1800 Galleries. Could be done with a QR code. Vinyl. Most museums have very specific guidelines for text labels. Consistency of font, text size, spacing and type assists audiences in digestin… For captions, you might consider increasing the word-spacing and line-spacing over what you use for other texts, because These offer flexibility for specific size requirements, large batch printing, and present better graphic qualities for printed information. The Walker Art Center 4. Another bullet reads, “The Lead Educator for the Europe Galleries then checks through the text before it is circulated it to all of the people mentioned above for final comments.” I’d suggest removing the second ‘it’ and ‘of.’. Labels should aim not to dominate over the objects they are placed alongside. Gallery tools such as seating, temporary walls and lighting can also assist in affirming a direction for the audience or breaking up a space if needed. Peruse the sites listed below for some good examples. Hang all labels at the same height and use a level to make sure they are parallel to the floor. We can’t assume that visitors will read all of the labels preceding a certain object so information needs to be clear without being repetitive. As Low as $3.00 EA in QTY. Sexual orientation. The V&A has its own set of text guidelines, which you can read here [V&A Text Guidelines]. There’s no comparison between a museum exhibit card created with a custom dry transfer versus one from a laser printer.… Lucy Trench also runs training sessions for young curators, or those who need a refresher to prepare themselves for major projects. See more ideas about Museum, Interactive, Labels. For other signage including the masthead, exhibition title signage, and large introductory panels, capture the audience’s attention by using large print vinyls which offer good visual qualities. Ensure the label level and placement is consistent across the exhibition and that audiences are not required to bend or adjust their posture to read. 7. The National Park Service never uses fonts smaller than 24 points in their exhibits. Museums & Galleries of NSW Content Development and Writing: Curatorial and CEPS staff work with Exhibits, Education, and other Museum … This is a long and involved process but it helps ensure that any inaccuracies or confusing phrases are noticed and amended – and also that there is consistency through the suite of galleries. It's really about museum labels, and not the items being displayed, so if the label itself has interesting typography, efficient infographics, clear or confusing labelling or interpretation. Exhibitions and Display Basics. More than seventy six, 000 performs are currently available on the web. Technology increasingly provides new ways to communicate exhibition information. 14) Fill in the fields on the label using an indelible archival pen. Don't be Boring. Writing gallery and label text is very different from writing books or scholarly articles. The Lead Educator for the Europe Galleries then checks through the text before it is circulated it to all of the people mentioned above for final comments. Complete Guide to Adult Audience Interpretive Materials: Gallery Texts and Graphics, Australian Museums and Galleries Australia Association (Victoria) Be aware of audience fatigue and use a 70-80 word count on individual artwork labels and 100-200 words for introductory panels. However some artists find them a bit of a challenge to produce and or treat them as an afterthought. Each Subject Parent (the person who has led the development of a display’s contents) meets with our Assistant Editor Susanna Haddon to discuss which objects would most benefit from additional text and how the space available for labels could be most effectively allocated. My interests are wide-ranging but subjects I have particularly enjoyed exploring for this project include:... I’ve read this article before and noticed a few places which might need adjustments. One bullet begins, “The labels are the submitted….” I suspect that ‘the’ should be ‘then.’ And, ‘of the label’ might be better as ‘on the label.’ Perhaps it’s just my way of speaking. 18-21.) The text is then submitted to the designer who will create the final label design. One of the museum field’s leading consultants and label writers, Serrell has expanded upon her earlier book, Making Exhibit Labels, which has been a standard in the field since its initial publication.